While the Delft painter Hendrik van Vliet was primarily concerned with the monumentality of his imaginary architecture, a narrative aspect was also important. A woman sits with a child on her lap. This young woman – a widow (?) – forms an interesting contrast with the open grave in the foreground. In the play of light and shadow, and in…
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While the Delft painter Hendrik van Vliet was primarily concerned with the monumentality of his imaginary architecture, a narrative aspect was also important. A woman sits with a child on her lap. This young woman – a widow (?) – forms an interesting contrast with the open grave in the foreground. In the play of light and shadow, and in the depiction of the tomb, there lies a reference to the transience of life as described in the book of Job: ‘Our days on earth are as fleeting as a shadow.’
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