Baroque in the Southern Netherlands

In the early 18th Century, the term "Baroque" describes the exuberance of a raw, irregularly formed pearl. From there, one used it to describe the ideological imagery, of which catered to the princely absolutism, the Counter-Reformation and bourgeois moralism. This imagery is seen in the painting and sculptural art, in the architecture, in music and literature. A strong pervading illusionism, stateliness and abundance needed to convince the viewer of an internal message. The Baroque aspired to a power of persuasion of its own against the rationalism of the Renaissance. The representation of emotions is no longer a taboo: realism makes its entrance and shall serve as a counterpoint to the traditionally venerated theory of art.
Peter Paul Rubens, The Baptism of Christ
Peter Paul Rubens, The Baptism of Christ, 1604-1605, KMSKA, oil on canvas, 411 x 675 cm, object number 707 - CC0

Thematic collection presentations

Discover typical Baroque subjects such as art chambers, floral still lives, depictions of animals, mythology, and the art of portraiture.

Articles

Read more about themes such as Baroque sculpture, the Flemish heritage of Rubens and the art of painting during the Baroque.

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Vlaamse Kunstcollectie - EN

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