The Bruges collection of prints and drawings—traditionally known as the Steinmetz Cabinet—is, with regards to scope and diversity, the largest discrete collection of the Groeninge Museum in Bruges. Because works on paper are not permanently exhibited due to their high level of light sensitivity, this collection is lesser known to the public than the reference collection of paintings.
For more than a decade, works from this collection have been presented to the public via exhibitions and temporary collection presentations on the ground floor of the Arentshuis and sometimes in the galleries of the Groeninge Museum. In addition to a few important loan exhibitions (The Age of Titian (2003) and Stradanus (2008)) and the European Biennial for Graphic Art, there were also smaller presentations.
The important collection of drawings from the Neo-Classicists was not only exhibited during the exposition, Joseph Benoît Suvée and neo-classicism in Europe, in Bruges and Enschede but also figured prominently in Luc Tuymans’ exhibition The Forbidden Empire at BOZAR in Brussels and the prestigious Palace Museum in Peking. An exhibition with prints dedicated to Albrecht Dürer was to be seen in the Arentshuis and an other presentation dealt with prints by Rembrandt and his time.
The art historians Virginie D’haene and Evelien de Wilde are involved with the activities of the Flemish Research Centre for the Arts in the Burgundian Netherlands and are heavily invested in the art of prints and drawings. By means of their arrival, the public unveiling of the collection of drawings and prints has been accelerated with expositions on the prints of Jacques Callot, the graphic arts of Rubens and the Flemish Baroque painters and the Passion prints of Stradanus.
In an extra edition of the Museum bulletin, they placed a catalog for one of the most impressive discrete collections of the Steinmetz Cabinet: the prints of Hendrick Goltzius (1558-1617). Manfred Sellink (Director of Musea Brugge), a specialist in the art of prints from the Low Countries, wrote an art-historical context of the Haarlem art of prints in the 16th Century.
The extra edition of the Museum bulletin is published on the occasion of the collection presentation: Virtuoso Mannerism. Prints by Hendrick Goltzius and his Contemporaries from the Groeningemuseum Collection (Arentshuis, June 21 2014—October 19 2014).
Read the publication through this link.