This deals with the Portrait of Augustin van Outryve by Joseph-Benoît Suvée, the monumental painting with the presentation of the Death of the wife of Belisarius by François-Joseph Kinsoen and Lord Byron on his deathbed by Joseph-Denis Odevaere.
Augustin van Outryve was a prominent nobleman in Bruges from the second half of the eighteenth century. As a wealthy businessman, he had his portrait made by Joseph-Benoît Suvée, the most important Neo-classicist from Bruges and who was later the Director of the renowned 'Académie de France' in Rome. This portrait is not only art-historically particularly interesting, but is also of great importance at the social and economic level.
Already in 2016, Musea Brugge had submitted a request to the Flemish Community for the acquisition of the portrait of Augustin van Outryve. Already then it was clear that the period of Neo-classicism was underrepresented in the List of Masterpieces.
In 2017, this painting by Suvée was purchased by the Flemish Community, which it then immediately placed in long-term loan at the Groeningemuseum in Bruges.
The monumental canvas with the presentation of the Death of the wife of Belisarius is a unique work that was first exhibited at the Paris Salon of 1817. It is the only history painting by Kinsoen that has survived.
The painting of Lord Byron on his deathbed has a pronounced symbolic meaning. The well-known English poet and writer Lord Byron was involved as a volunteer in the battle for Greek independence against the Turkish. He died in Missolonghi in 1824. He is presented here as a Greek hero, at the foot of the image of Freedom. The lyre with loosened strings symbolises that poet who has been rendered silent by death. The painter was inspired by Jacques Louis David's painting The Death of Marat for the position of Byron's body.
In 2017, Musea Brugge received the task from the Flemish government to produce a 'Neo-classicism trial list' by the June 2018, which would be presented to the council that decides upon the Masterpieces. Along with an advisory group of experts from the field, Musea Brugge went in search of important Neo-classicist works of are that were found in Flanders and that were deserving of the designation of 'masterpiece'. On the basis of strict criteria, an inventory was made up of rare and indispensable works of art from the years 1760-1830.
From this inventory, the council for the Masterpieces made a selection of paintings, sculptures and drawings from public collections, churches and private holdings. Suvée's monumental canvas with the Resurrection of Christ from the St Walburg's Church in Bruges was also selected by the committee and now stands on the List of Masterpieces.
A selection of unique and essential seventeenth-century drawings and collections of drawings was also recently definitively protected as being a Flemish masterpiece. The selection was the result of an investigation done by the Rubenianum and the Royal Library of Belgium (KBR). Four of the chosen works belong to the Musea Brugge collection.
The Decree of Masterpieces ensures for the protection of moveable cultural heritage that must be preserved by the Flemish Community in Flanders. This deals with objects that have a special archaeological, historical, cultural-historical, artistic or scientific significance. Along with this, these works come into consideration for a subsidised conservation and restoration.