Prometheus

In the 19th century sculpture collection of the MSK Ghent, Prometheus by the Brussels artist Paul Bouré (1823-1848) stands out for various reasons. Among the few known works by this sculptor, who died early, this monumental representation of the unfortunate, chained figure is undoubtedly the main work. It was exhibited at the Brussels Salon in 1845 under the melodious title…

In the 19th century sculpture collection of the MSK Ghent, Prometheus by the Brussels artist Paul Bouré (1823-1848) stands out for various reasons. Among the few known works by this sculptor, who died early, this monumental representation of the unfortunate, chained figure is undoubtedly the main work. It was exhibited at the Brussels Salon in 1845 under the melodious title 'Prometheus on the Caucasus exposed to be torn apart by vultures', a subject that fitted in perfectly with the then prevailing preference for expressive themes from classical mythology. Bouré made the sculpture after a long stay in Florence, where he had discovered the masters of Renaissance sculpture, an influence which is reflected in the great expressiveness, the sought-after pose and the striking musculature of the reclining figure.